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Charles Robert Darwin
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Sir Humphrey Davy
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Lady Brassey.
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Lieutenant General Sheridan
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Napoleon And Marie Walewska
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The Story Of The Carlyles






To most persons, Tennyson was a remote and romantic figure. His
homes in the Isle of Wight and at Aldworth had a dignified
seclusion about them which was very appropriate to so great a
poet, and invested him with a certain awe through which the
multitude rarely penetrated. As a matter of fact, however, he was
an excellent companion, a ready talker, and gifted with so much
wit that it is a pity that more of his sayings have not been
preserved to us.

One of the best known is that which was drawn from him after he
and a number of friends had been spending an hour in company with
Mr. and Mrs. Carlyle. The two Carlyles were unfortunately at their
worst, and gave a superb specimen of domestic "nagging." Each
caught up whatever the other said, and either turned it into
ridicule, or tried to make the author of it an object of contempt.

This was, of course, exceedingly uncomfortable for such strangers
as were present, and it certainly gave no pleasure to their
friends. On leaving the house, some one said to Tennyson:

"Isn't it a pity that such a couple ever married?"

"No, no," said Tennyson, with a sort of smile under his rough
beard. "It's much better that two people should be made unhappy
than four."

The world has pretty nearly come around to the verdict of the poet
laureate. It is not probable that Thomas Carlyle would have made
any woman happy as his wife, or that Jane Baillie Welsh would have
made any man happy as her husband.

This sort of speculation would never have occurred had not Mr.
Froude, in the early eighties, given his story about the Carlyles
to the world. Carlyle went to his grave, an old man, highly
honored, and with no trail of gossip behind him. His wife had died
some sixteen years before, leaving a brilliant memory. The books
of Mr. Froude seemed for a moment to have desecrated the grave,
and to have shed a sudden and sinister light upon those who could
not make the least defense for themselves.

For a moment, Carlyle seemed to have been a monster of harshness,
cruelty, and almost brutish feeling. On the other side, his wife
took on the color of an evil-speaking, evil-thinking shrew, who
tormented the life of her husband, and allowed herself to be
possessed by some demon of unrest and discontent, such as few
women of her station are ever known to suffer from.

Nor was it merely that the two were apparently ill-mated and
unhappy with each other. There were hints and innuendos which
looked toward some hidden cause for this unhappiness, and which
aroused the curiosity of every one. That they might be clearer,
Froude afterward wrote a book, bringing out more plainly--indeed,
too plainly--his explanation of the Carlyle family skeleton. A
multitude of documents then came from every quarter, and from
almost every one who had known either of the Carlyles. Perhaps the
result to-day has been more injurious to Froude than to the two
Carlyles.

Many persons unjustly speak of Froude as having violated the
confidence of his friends in publishing the letters of Mr. and
Mrs. Carlyle. They take no heed of the fact that in doing this he
was obeying Carlyle's express wishes, left behind in writing, and
often urged on Froude while Carlyle was still alive. Whether or
not Froude ought to have accepted such a trust, one may perhaps
hesitate to decide. That he did so is probably because he felt
that if he refused, Carlyle might commit the same duty to another,
who would discharge it with less delicacy and less discretion.

As it is, the blame, if it rests upon any one, should rest upon
Carlyle. He collected the letters. He wrote the lines which burn
and scorch with self-reproach. It is he who pressed upon the
reluctant Froude the duty of printing and publishing a series of
documents which, for the most part, should never have been
published at all, and which have done equal harm to Carlyle, to
his wife, and to Froude himself.

Now that everything has been written that is likely to be written
by those claiming to possess personal knowledge of the subject,
let us take up the volumes, and likewise the scattered fragments,
and seek to penetrate the mystery of the most ill-assorted couple
known to modern literature.

It is not necessary to bring to light, and in regular order, the
external history of Thomas Carlyle, or of Jane Baillie Welsh, who
married him. There is an extraordinary amount of rather fanciful
gossip about this marriage, and about the three persons who had to
do with it.

Take first the principal figure, Thomas Carlyle. His life until
that time had been a good deal more than the life of an ordinary
country-man. Many persons represent him as a peasant; but he was
descended from the ancient lords of a Scottish manor. There was
something in his eye, and in the dominance of his nature, that
made his lordly nature felt. Mr. Froude notes that Carlyle's hand
was very small and unusually well shaped. Nor had his earliest
appearance as a young man been commonplace, in spite of the fact
that his parents were illiterate, so that his mother learned to
read only after her sons had gone away to Edinburgh, in order that
she might be able to enjoy their letters.

At that time in Scotland, as in Puritan New England, in each
family the son who had the most notable "pairts" was sent to the
university that he might become a clergyman. If there were a
second son, he became an advocate or a doctor of medicine, while
the sons of less distinction seldom went beyond the parish school,

but settled down as farmers, horse-dealers, or whatever might
happen to come their way.

In the case of Thomas Carlyle, nature marked him out for something
brilliant, whatever that might be. His quick sensibility, the way
in which he acquired every sort of learning, his command of logic,
and, withal, his swift, unerring gift of language, made it certain
from the very first that he must be sent to the university as soon
as he had finished school, and could afford to go.

At Edinburgh, where he matriculated in his fourteenth year, he
astonished every one by the enormous extent of his reading, and by
the firm hold he kept upon it. One hesitates to credit these so-
called reminiscences which tell how he absorbed mountains of Greek
and immense quantities of political economy and history and
sociology and various forms of metaphysics, as every Scotsman is
bound to do. That he read all night is a common story told of many
a Scottish lad at college. We may believe, however, that Carlyle
studied and read as most of his fellow students did, but far
beyond them, in extent.

When he had completed about half of his divinity course, he
assured himself that he was not intended for the life of a
clergyman. One who reads his mocking sayings, or what seemed to be
a clever string of jeers directed against religion, might well
think that Carlyle was throughout his life an atheist, or an
agnostic. He confessed to Irving that he did not believe in the
Christian religion, and it was vain to hope that he ever would so
believe.

Moreover, Carlyle had done something which was unusual at that
time. He had taught in several local schools; but presently he
came back to Edinburgh and openly made literature his profession.
It was a daring thing to do; but Carlyle had unbounded confidence
in himself--the confidence of a giant, striding forth into a
forest, certain that he can make his way by sheer strength through
the tangled meshes and the knotty branches that he knows will meet
him and try to beat him back. Furthermore, he knew how to live on
very little; he was unmarried; and he felt a certain ardor which
beseemed his age and gifts.

Through the kindness of friends, he received some commissions to
write in various books of reference; and in 1824, when he was
twenty-nine years of age, he published a translation of Legendre's
Geometry. In the same year he published, in the London Magazine,
his Life of Schiller, and also his translation of Goethe's Wilhelm
Meister. This successful attack upon the London periodicals and
reviews led to a certain complication with the other two
characters in this story. It takes us to Jane Welsh, and also to
Edward Irving.

Irving was three years older than Carlyle. The two men were
friends, and both of them had been teaching in country schools,
where both of them had come to know Miss Welsh. Irving's seniority
gave him a certain prestige with the younger men, and naturally
with Miss Welsh. He had won honors at the university, and now, as
assistant to the famous Dr. Chalmers, he carried his silk robes in
the jaunty fashion of one who has just ceased to be an
undergraduate. While studying, he met Miss Welsh at Haddington,
and there became her private instructor.

This girl was regarded in her native town as something of a
personage. To read what has been written of her, one might suppose
that she was almost a miracle of birth and breeding, and of
intellect as well. As a matter of fact, in the little town of
Haddington she was simply prima inter pares. Her father was the
local doctor, and while she had a comfortable home, and doubtless
a chaise at her disposal, she was very far from the "opulence"
which Carlyle, looking up at her from his lowlier surroundings,
was accustomed to ascribe to her. She was, no doubt, a very clever
girl; and, judging from the portraits taken of her at about this
time, she was an exceedingly pretty one, with beautiful eyes and
an abundance of dark glossy hair.

Even then, however, Miss Welsh had traits which might have made it
certain that she would be much more agreeable as a friend than as
a wife. She had become an intellectuelle quite prematurely--at an
age, in fact, when she might better have been thinking of other
things than the inwardness of her soul, or the folly of religious
belief.

Even as a young girl, she was beset by a desire to criticize and
to ridicule almost everything and every one that she encountered.
It was only when she met with something that she could not
understand, or some one who could do what she could not, that she
became comparatively humble. Unconsciously, her chief ambition was
to be herself distinguished, and to marry some one who could be
more distinguished still.

When she first met Edward Irving, she looked up to him as her
superior in many ways. He was a striking figure in her small
world. He was known in Edinburgh as likely to be a man of mark;
and, of course, he had had a careful training in many subjects of
which she, as yet, knew very little. Therefore, insensibly, she
fell into a sort of admiration for Irving--an admiration which
might have been transmuted into love. Irving, on his side, was
taken by the young girl's beauty, her vivacity, and the keenness
of her intellect. That he did not at once become her suitor is
probably due to the fact that he had already engaged himself to a
Miss Martin, of whom not much is known.

It was about this time, however, that Carlyle became acquainted
with Miss Welsh. His abundant knowledge, his original and striking
manner of commenting on it, his almost gigantic intellectual
power, came to her as a revelation. Her studies with Irving were
now interwoven with her admiration for Carlyle.

Since Irving was a clergyman, and Miss Welsh had not the slightest
belief in any form of theology, there was comparatively little
that they had in common. On the other hand, when she saw the
profundities of Carlyle, she at once half feared, and was half
fascinated. Let her speak to him on any subject, and he would at
once thunder forth some striking truth, or it might be some
puzzling paradox; but what he said could never fail to interest
her and to make her think. He had, too, an infinite sense of
humor, often whimsical and shot through with sarcasm.

It is no wonder that Miss Welsh was more and more infatuated with
the nature of Carlyle. If it was her conscious wish to marry a man
whom she could reverence as a master, where should she find him--
in Irving or in Carlyle?

Irving was a dreamer, a man who, she came to see, was thoroughly
one-sided, and whose interests lay in a different sphere from
hers. Carlyle, on the other hand, had already reached out beyond
the little Scottish capital, and had made his mark in the great
world of London, where men like De Quincey and Jeffrey thought it
worth their while to run a tilt with him. Then, too, there was the
fascination of his talk, in which Jane Welsh found a perpetual
source of interest:

The English have never had an artist, except in poetry; no
musician; no painter. Purcell and Hogarth are not exceptions, or
only such as confirm the rule.

Is the true Scotchman the peasant and yeoman--chiefly the former?

Every living man is a visible mystery; he walks between two
eternities and two infinitudes. Were we not blind as molea we
should value our humanity at infinity, and our rank, influence and
so forth--the trappings of our humanity--at nothing. Say I am a
man, and you say all. Whether king or tinker is a mere appendix.

Understanding is to reason as the talent of a beaver--which can
build houses, and uses its tail for a trowel--to the genius of a
prophet and poet. Reason is all but extinct in this age; it can
never be altogether extinguished.

The devil has his elect.

Is anything more wonderful than another, if you consider it
maturely? I have seen no men rise from the dead; I have seen some
thousands rise from nothing. I have not force to fly into the sun,
but I have force to lift my hand, which is equally strange.

Is not every thought properly an inspiration? Or how is one thing
more inspired than another?

Examine by logic the import of thy life, and of all lives. What is
it? A making of meal into manure, and of manure into meal. To the
cui bono there is no answer from logic.

In many ways Jane Welsh found the difference of range between
Carlyle and Irving. At one time, she asked Irving about some
German works, and he was obliged to send her to Carlyle to solve
her difficulties. Carlyle knew German almost as well as if he had
been born in Dresden; and the full and almost overflowing way in
which he answered her gave her another impression of his potency.
Thus she weighed the two men who might become her lovers, and
little by little she came to think of Irving as partly shallow and
partly narrow-minded, while Carlyle loomed up more of a giant than
before.

It is not probable that she was a woman who could love profoundly.
She thought too much about herself. She was too critical. She had
too intense an ambition for "showing off." I can imagine that in
the end she made her choice quite coolly. She was flattered by
Carlyle's strong preference for her. She was perhaps repelled by
Irving's engagement to another woman; yet at the time few persons
thought that she had chosen well.

Irving had now gone to London, and had become the pastor of the
Caledonian chapel in Hatton Garden. Within a year, by the
extraordinary power of his eloquence, which, was in a style
peculiar to himself, he had transformed an obscure little chapel
into one which was crowded by the rich and fashionable. His
congregation built for him a handsome edifice on Regent Square,
and he became the leader of a new cult, which looked to a second
personal advent of Christ. He cared nothing for the charges of
heresy which were brought against him; and when he was deposed his
congregation followed him, and developed a new Christian order,
known as Irvingism.

Jane Welsh, in her musings, might rightfully have compared the two
men and the future which each could give her. Did she marry
Irving, she was certain of a life of ease in London, and an
association with men and women of fashion and celebrity, among
whom she could show herself to be the gifted woman that she was.
Did she marry Carlyle, she must go with him to a desolate, wind-
beaten cottage, far away from any of the things she cared for,
working almost as a housemaid, having no company save that of her
husband, who was already a dyspeptic, and who was wont to speak of
feeling as if a rat were tearing out his stomach.

Who would have said that in going with Carlyle she had made the
better choice? Any one would have said it who knew the three--
Irving, Carlyle, and Jane Welsh.

She had the penetration to be certain that whatever Irving might
possess at present, it would be nothing in comparison to what
Carlyle would have in the coming future. She understood the
limitations of Irving, but to her keen mind the genius of Carlyle
was unlimited; and she foresaw that, after he had toiled and
striven, he would come into his great reward, which she would
share. Irving might be the leader of a petty sect, but Carlyle
would be a man whose name must become known throughout the world.

And so, in 1826, she had made her choice, and had become the bride
of the rough-spoken, domineering Scotsman who had to face the
world with nothing but his creative brain and his stubborn
independence. She had put aside all immediate thought of London
and its lures; she was going to cast in her lot with Carlyle's,
largely as a matter of calculation, and believing that she had
made the better choice.

She was twenty-six and Carlyle was thirty-two when, after a brief
residence in Edinburgh, they went down to Craigenputtock. Froude
has described this place as the dreariest spot in the British
dominions:

The nearest cottage is more than a mile from it; the elevation,
seven hundred feet above the sea, stunts the trees and limits the
garden produce; the house is gaunt and hungry-looking. It stands,
with the scanty fields attached, as an island in a sea of morass.
The landscape is unredeemed by grace or grandeur--mere undulating
hills of grass and heather, with peat bogs in the hollows between
them.

Froude's grim description has been questioned by some; yet the
actual pictures that have been drawn of the place in later years
make it look bare, desolate, and uninviting. Mrs. Carlyle, who
owned it as an inheritance from her father, saw the place for the
first time in March, 1828. She settled there in May; but May, in
the Scottish hills, is almost as repellent as winter. She herself
shrank from the adventure which she had proposed. It was her
husband's notion, and her own, that they should live there in
practical solitude. He was to think and write, and make for
himself a beginning of real fame; while she was to hover over him
and watch his minor comforts.

It seemed to many of their friends that the project was quixotic
to a degree. Mrs. Carlyle delicate health, her weak chest, and the
beginning of a nervous disorder, made them think that she was
unfit to dwell in so wild and bleak a solitude. They felt, too,
that Carlyle was too much absorbed with his own thought to be
trusted with the charge of a high-spirited woman.

However, the decision had been made, and the newly married couple
went to Craigenputtock, with wagons that carried their household
goods and those of Carlyle's brother, Alexander, who lived in a
cottage near by. These were the two redeeming features of their
lonely home--the presence of Alexander Carlyle, and the fact that,
although they had no servants in the ordinary sense, there were
several farmhands and a dairy-maid.

Before long there came a period of trouble, which is easily
explained by what has been already said. Carlyle, thinking and
writing some of the most beautiful things that he ever thought or
wrote, could not make allowance for his wife's high spirit and
physical weakness. She, on her side--nervous, fitful, and hard to
please--thought herself a slave, the servant of a harsh and brutal
master. She screamed at him when her nerves were too unstrung; and
then, with a natural reaction, she called herself "a devil who
could never be good enough for him." But most of her letters were
harsh and filled with bitterness, and, no doubt, his conduct to
her was at times no better than her own.

But it was at Craigenputtock that he really did lay fast and firm
the road to fame. His wife's sharp tongue, and the gnawings of his
own dyspepsia, were lived down with true Scottish grimness. It was
here that he wrote some of his most penetrating and sympathetic
essays, which were published by the leading reviews of England and
Scotland. Here, too, he began to teach his countrymen the value of
German literature.

The most remarkable of his productions was that strange work
entitled Sartor Resartus (1834), an extraordinary mixture of the
sublime and the grotesque. The book quivers and shakes with tragic
pathos, with inward agonies, with solemn aspirations, and with
riotous humor.

In 1834, after six years at Craigenputtock, the Carlyles moved to
London, and took up their home in Cheyne Row, Chelsea, a far from
fashionable retreat, but one in which the comforts of life could
be more readily secured. It was there that Thomas Carlyle wrote
what must seem to us the most vivid of all his books, the History
of the French Revolution. For this he had read and thought for
many years; parts of it he had written in essays, and parts of it
he had jotted down in journals. But now it came forth, as some one
has said, "a truth clad in hell-fire," swirling amid clouds and
flames and mist, a most wonderful picture of the accumulated
social and political falsehoods which preceded the revolution, and
which were swept away by a nemesis that was the righteous judgment
of God.

Carlyle never wrote so great a book as this. He had reached his
middle style, having passed the clarity of his early writings, and
not having yet reached the thunderous, strange-mouthed German
expletives which marred his later work. In the French Revolution
he bursts forth, here and there, into furious Gallic oaths and
Gargantuan epithets; yet this apocalypse of France seems more true
than his hero-worshiping of old Frederick of Prussia, or even of
English Cromwell.

All these days Thomas Carlyle lived a life which was partly one of
seclusion and partly one of pleasure. At all times he and his
dark-haired wife had their own sets, and mingled with their own
friends. Jane had no means of discovering just whether she would
have been happier with Irving; for Irving died while she was still
digging potatoes and complaining of her lot at Craigenputtock.

However this may be, the Carlyles, man and wife, lived an
existence that was full of unhappiness and rancor. Jane Carlyle
became an invalid, and sought to allay her nervous sufferings with
strong tea and tobacco and morphin. When a nervous woman takes to
morphin, it almost always means that she becomes intensely
jealous; and so it was with Jane Carlyle.

A shivering, palpitating, fiercely loyal bit of humanity, she took
it into her head that her husband was infatuated with Lady
Ashburton, or that Lady Ashburton was infatuated with him. She
took to spying on them, and at times, when her nerves were all a
jangle, she would lie back in her armchair and yell with paroxysms
of anger. On the other hand, Carlyle, eager to enjoy the world,
sought relief from his household cares, and sometimes stole away
after a fashion that was hardly guileless. He would leave false
addresses at his house, and would dine at other places than he had
announced.

In 1866 Jane Carlyle suddenly died; and somehow, then, the
conscience of Thomas Carlyle became convinced that he had wronged
the woman whom he had really loved. His last fifteen years were
spent in wretchedness and despair. He felt that he had committed
the unpardonable sin. He recalled with anguish every moment of
their early life at Craigenputtock--how she had toiled for him,
and waited upon him, and made herself a slave; and how, later, she
had given herself up entirely to him, while he had thoughtlessly
received the sacrifice, and trampled on it as on a bed of flowers.

Of course, in all this he was intensely morbid, and the diary
which he wrote was no more sane and wholesome than the screamings
with which his wife had horrified her friends. But when he had
grown to be a very old man, he came to feel that this was all a
sort of penance, and that the selfishness of his past must be
expiated in the future. Therefore, he gave his diary to his
friend, the historian, Froude, and urged him to publish the
letters and memorials of Jane Welsh Carlyle. Mr. Froude, with an
eye to the reading world, readily did so, furnishing them with
abundant footnotes, which made Carlyle appear to the world as
more or less of a monster.

First, there was set forth the almost continual unhappiness of the
pair. In the second place, by hint, by innuendo, and sometimes by
explicit statement, there were given reasons to show why Carlyle
made his wife unhappy. Of course, his gnawing dyspepsia, which she
strove with all her might to drive away, was one of the first and
greatest causes. But again another cause of discontent was stated
in the implication that Carlyle, in his bursts of temper, actually
abused his wife. In one passage there is a hint that certain blue
marks upon her arm were bruises, the result of blows.

Most remarkable of all these accusations is that which has to do
with the relations of Carlyle and Lady Ashburton. There is no
doubt that Jane Carlyle disliked this brilliant woman, and came to
have dark suspicions concerning her. At first, it was only a sort
of social jealousy. Lady Ashburton was quite as clever a talker as
Mrs. Carlyle, and she had a prestige which brought her more
admiration.

Then, by degrees, as Jane Carlyle's mind began to wane, she
transferred her jealousy to her husband himself. She hated to be
out-shone, and now, in some misguided fashion, it came into her
head that Carlyle had surrendered to Lady Ashburton his own
attention to his wife, and had fallen in love with her brilliant
rival.

On one occasion, she declared that Lady Ashburton had thrown
herself at Carlyle's feet, but that Carlyle had acted like a man
of honor, while Lord Ashburton, knowing all the facts, had passed
them over, and had retained his friendship with Carlyle.

Now, when Froude came to write My Relations with Carlyle, there
were those who were very eager to furnish him with every sort of
gossip. The greatest source of scandal upon which he drew was a
woman named Geraldine Jewsbury, a curious neurotic creature, who
had seen much of the late Mrs. Carlyle, but who had an almost
morbid love of offensive tattle. Froude describes himself as a
witness for six years, at Cheyne Row, "of the enactment of a
tragedy as stern and real as the story of Oedipus." According to
his own account:

I stood by, consenting to the slow martyrdom of a woman whom I
have described as bright and sparkling and tender, and I uttered
no word of remonstrance. I saw her involved in a perpetual
blizzard, and did nothing to shelter her.

But it is not upon his own observations that Froude relies for his
most sinister evidence against his friend. To him comes Miss
Jewsbury with a lengthy tale to tell. It is well to know what Mrs.
Carlyle thought of this lady. She wrote:

It is her besetting sin, and her trade of novelist has aggravated
it--the desire of feeling and producing violent emotions. ...
Geraldine has one besetting weakness; she is never happy unless
she has a grande passion on hand.

There were strange manifestations on the part of Miss Jewsbury
toward Mrs. Carlyle. At one time, when Mrs. Carlyle had shown some
preference for another woman, it led to a wild outburst of what
Miss Jewsbury herself called "tiger jealousy." There are many
other instances of violent emotions in her letters to Mrs.
Carlyle. They are often highly charged and erotic. It is unusual
for a woman of thirty-two to write to a woman friend, who is
forty-three years of age, in these words, which Miss Jewsbury used
in writing to Mrs. Carlyle:

You are never out of my thoughts one hour together. I think of you
much more than if you were my lover. I cannot express my feelings,
even to you--vague, undefined yearnings to be yours in some way.

Mrs. Carlyle was accustomed, in private, to speak of Miss Jewsbury
as "Miss Gooseberry," while Carlyle himself said that she was
simply "a flimsy tatter of a creature." But it is on the testimony
of this one woman, who was so morbid and excitable, that the most
serious accusations against Carlyle rest. She knew that Froude was
writing a volume about Mrs. Carlyle, and she rushed to him, eager
to furnish any narratives, however strange, improbable, or
salacious they might be.

Thus she is the sponsor of the Ashburton story, in which there is
nothing whatsoever. Some of the letters which Lady Ashburton wrote
Carlyle have been destroyed, but not before her husband had
perused them. Another set of letters had never been read by Lord
Ashburton at all, and they are still preserved--friendly,
harmless, usual letters. Lord Ashburton always invited Carlyle to
his house, and there is no reason to think that the Scottish
philosopher wronged him.

There is much more to be said about the charge that Mrs. Carlyle
suffered from personal abuse; yet when we examine the facts, the
evidence resolves itself into practically nothing. That, in his
self-absorption, he allowed her to Sending Completed Page, Please
Wait ... overflowed toward a man who must have been a manly,
loving lover. She calls him by the name by which he called her--a
homely Scottish name.

GOODY, GOODY, DEAR GOODY:

You said you would weary, and I do hope in my heart you are
wearying. It will be so sweet to make it all up to you in kisses
when I return. You will take me and hear all my bits of
experiences, and your heart will beat when you find how I have
longed to return to you. Darling, dearest, loveliest, the Lord
bless you! I think of you every hour, every moment. I love you and
admire you, like--like anything. Oh, if I was there, I could put
my arms so close about your neck, and hush you into the softest
sleep you have had since I went away. Good night. Dream of me. I
am ever YOUR OWN GOODY.

It seems most fitting to remember Thomas Carlyle as a man of
strength, of honor, and of intellect; and his wife as one who was
sorely tried, but who came out of her suffering into the arms of
death, purified and calm and worthy to be remembered by her
husband's side.









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