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George Iv. And Mrs. Fitzherbert

In the last decade of the eighteenth century England was perhaps
the most brilliant nation of the world. Other countries had been
humbled by the splendid armies of France and were destined to be
still further humbled by the emperor who came from Corsica. France
had begun to seize the scepter of power; yet to this picture there
was another side--fearful want and grievous poverty and the
horrors of the Revolution. Russia was too far away, and was still
considered too barbarous, for a brilliant court to flourish there.
Prussia had the prestige that Frederick the Great won for her, but
she was still a comparatively small state. Italy was in a
condition of political chaos; the banks of the Rhine were running
blood where the Austrian armies faced the gallant Frenchmen under
the leadership of Moreau. But England, in spite of the loss of her
American colonies, was rich and prosperous, and her invincible
fleets were extending her empire over the seven seas.

At no time in modern England has the court at London seen so much
real splendor or such fine manners. The royalist emigres who fled
from France brought with them names and pedigrees that were older
than the Crusades, and many of them were received with the
frankest, freest English hospitality. If here and there some
marquis or baron of ancient blood was perforce content to teach
music to the daughters of tradesmen in suburban schools,
nevertheless they were better off than they had been in France,
harried by the savage gaze-hounds of the guillotine. Afterward,
in the days of the Restoration, when they came back to their
estates, they had probably learned more than one lesson from the
bouledogues of Merry England, who had little tact, perhaps, but
who were at any rate kindly and willing to share their goods with
pinched and poverty-stricken foreigners.

The court, then, as has been said, was brilliant with notables
from Continental countries, and with the historic wealth of the
peerage of England. Only one cloud overspread it; and that was the
mental condition of the king. We have become accustomed to think
of George III as a dull creature, almost always hovering on the
verge of that insanity which finally swept him into a dark
obscurity; but Thackeray's picture of him is absurdly untrue to
the actual facts. George III. was by no means a dullard, nor was
he a sort of beefy country squire who roved about the palace
gardens with his unattractive spouse.

Obstinate enough he was, and ready for a combat with the rulers of
the Continent or with his self-willed sons; but he was a man of
brains and power, and Lord Rosebery has rightly described him as
the most striking constitutional figure of his time. Had he
retained his reason, and had his erratic and self-seeking son not
succeeded him during his own lifetime, Great Britain might very
possibly have entered upon other ways than those which opened to
her after the downfall of Napoleon.

The real center of fashionable England, however, was not George
III., but rather his son, subsequently George IV., who was made
Prince of Wales three days after his birth, and who became prince
regent during the insanity of the king. He was the leader of the
social world, the fit companion of Beau Brummel and of a choice
circle of rakes and fox-hunters who drank pottle-deep. Some called
him "the first gentleman of Europe." Others, who knew him better,
described him as one who never kept his word to man or woman and
who lacked the most elementary virtues.

Yet it was his good luck during the first years of his regency to
be popular as few English kings have ever been. To his people he
typified old England against revolutionary France; and his youth
and gaiety made many like him. He drank and gambled; he kept packs
of hounds and strings of horses; he ran deeply into debt that he
might patronize the sports of that uproarious day. He was a
gallant "Corinthian," a haunter of dens where there were prize-
fights and cock-fights, and there was hardly a doubtful resort in
London where his face was not familiar.

He was much given to gallantry--not so much, as it seemed, for
wantonness, but from sheer love of mirth and chivalry. For a time,
with his chosen friends, such as Fox and Sheridan, he ventured
into reckless intrigues that recalled the amours of his
predecessor, Charles II. He had by no means the wit and courage of
Charles; and, indeed, the house of Hanover lacked the outward show
of chivalry which made the Stuarts shine with external splendor.
But he was good-looking and stalwart, and when he had half a dozen
robust comrades by his side he could assume a very manly
appearance. Such was George IV. in his regency and in his prime.
He made that period famous for its card-playing, its deep
drinking, and for the dissolute conduct of its courtiers and
noblemen no less than for the gallantry of its soldiers and its
momentous victories on sea and land. It came, however, to be seen
that his true achievements were in reality only escapades, that
his wit was only folly, and his so-called "sensibility" was but
sham. He invented buckles, striped waistcoats, and flamboyant
collars, but he knew nothing of the principles of kingship or the
laws by which a state is governed.

The fact that he had promiscuous affairs with women appealed at
first to the popular sense of the romantic. It was not long,
however, before these episodes were trampled down into the mire of
vulgar scandal.

One of the first of them began when he sent a letter, signed
"Florizel," to a young actress, "Perdita" Robinson. Mrs. Robinson,
whose maiden name was Mary Darby, and who was the original of
famous portraits by Gainsborough and Reynolds, was a woman of
beauty, talent, and temperament. George, wishing in every way to
be "romantic," insisted upon clandestine meetings on the Thames at
Kew, with all the stage trappings of the popular novels--cloaks,
veils, faces hidden, and armed watchers to warn her of approaching
danger. Poor Perdita took this nonsense so seriously that she gave
up her natural vocation for the stage, and forsook her husband,
believing that the prince would never weary of her.

He did weary of her very soon, and, with the brutality of a man of
such a type, turned her away with the promise of some money; after
which he cut her in the Park and refused to speak to her again. As
for the money, he may have meant to pay it, but Perdita had a long
struggle before she succeeded in getting it. It may be assumed
that the prince had to borrow it and that this obligation formed
part of the debts which Parliament paid for him.

It is not necessary to number the other women whose heads he
turned. They are too many for remembrance here, and they have no
special significance, save one who, as is generally believed,
became his wife so far as the church could make her so. An act of
1772 had made it illegal for any member of the English royal
family to marry without the permission of the king. A marriage
contracted without the king's consent might be lawful in the eyes
of the church, but the children born of it could not inherit any
claim to the throne.

It may be remarked here that this withholding of permission was
strictly enforced. Thus William IV., who succeeded George IV., was
married, before his accession to the throne, to Mrs. Jordan
(Dorothy Bland). Afterward he lawfully married a woman of royal
birth who was known as Queen Adelaide.

There is an interesting story which tells how Queen Victoria came
to be born because her father, the Duke of Kent, was practically
forced to give up a morganatic union which he greatly preferred to
a marriage arranged for him by Parliament. Except the Duke of
Cambridge, the Duke of Kent was the only royal duke who was likely
to have children in the regular line. The only daughter of George
IV. had died in childhood. The Duke of Cumberland was for various
reasons ineligible; the Duke of Clarence, later King William IV.,
was almost too old; and therefore, to insure the succession, the
Duke of Kent was begged to marry a young and attractive woman, a
princess of the house of Saxe-Coburg, who was ready for the honor.
It was greatly to the Duke's credit that he showed deep and
sincere feeling in this matter. As he said himself in effect:

"This French lady has stood by me in hard times and in good times,
too--why should I cast her off? She has been more than a wife to
me. And what do I care for your plans in Parliament? Send over for
one of the Stuarts--they are better men than the last lot of our
fellows that you have had!"

In the end, however, he was wearied out and was persuaded to
marry, but he insisted that a generous sum should be settled on
the lady who had been so long his true companion, and to whom, no
doubt, he gave many a wistful thought in his new but unfamiliar
quarters in Kensington Palace, which was assigned as his

Again, the second Duke of Cambridge, who died only a few years
ago, greatly desired to marry a lady who was not of royal rank,
though of fine breeding and of good birth. He besought his young
cousin, as head of the family, to grant him this privilege of
marriage; but Queen Victoria stubbornly refused. The duke was
married according to the rites of the church, but he could not
make his wife a duchess. The queen never quite forgave him for his
partial defiance of her wishes, though the duke's wife--she was
usually spoken of as Mrs. FitzGeorge--was received almost
everywhere, and two of her sons hold high rank in the British army
and navy, respectively.

The one real love story in the life of George IV. is that which
tells of his marriage with a lady who might well have been the
wife of any king. This was Maria Anne Smythe, better known as Mrs.
Fitzherbert, who was six years older than the young prince when
she first met him in company with a body of gentlemen and ladies
in 1784.

Maria Fitzherbert's face was one which always displayed its best
advantages. Her eyes were peculiarly languishing, and, as she had
already been twice a widow, and was six years his senior, she had
the advantage over a less experienced lover. Likewise, she was a
Catholic, and so by another act of Parliament any marriage with
her would be illegal. Yet just because of all these different
objections the prince was doubly drawn to her, and was willing to
sacrifice even the throne if he could but win her.

His father, the king, called him into the royal presence and said:

"George, it is time that you should settle down and insure the
succession to the throne."

"Sir," replied the prince, "I prefer to resign the succession and
let my brother have it, and that I should live as a private
English gentleman."

Mrs. Fitzherbert was not the sort of woman to give herself up
readily to a morganatic connection. Moreover, she soon came to
love Prince George too well to entangle him in a doubtful alliance
with one of another faith than his. Not long after he first met
her the prince, who was always given to private theatricals, sent
messengers riding in hot haste to her house to tell her that he
had stabbed himself, that he begged to see her, and that unless
she came he would repeat the act. The lady yielded, and hurried to
Carlton House, the prince's residence; but she was prudent enough
to take with her the Duchess of Devonshire, who was a reigning
beauty of the court.

The scene which followed was theatrical rather than impressive.--
The prince was found in his sleeping-chamber, pale and with his
ruffles blood-stained. He played the part of a youthful and love-
stricken wooer, vowing that he would marry the woman of his heart
or stab himself again. In the presence of his messengers, who,
with the duchess, were witnesses, he formally took the lady as his
wife, while Lady Devonshire's wedding-ring sealed the troth. The
prince also acknowledged it in a document.

Mrs. Fitzherbert was, in fact, a woman of sound sense. Shortly
after this scene of melodramatic intensity her wits came back to
her, and she recognized that she had merely gone through a
meaningless farce. So she sent back the prince's document and the
ring and hastened to the Continent, where he could not reach her,
although his detectives followed her steps for a year.

At the last she yielded, however, and came home to marry the
prince in such fashion as she could--a marriage of love, and
surely one of morality, though not of parliamentary law. The
ceremony was performed "in her own drawing-room in her house in
London, in the presence of the officiating Protestant clergyman
and two of her own nearest relatives."

Such is the serious statement of Lord Stourton, who was Mrs.
Fitzherbert's cousin and confidant. The truth of it was never
denied, and Mrs. Fitzherbert was always treated with respect, and
even regarded as a person of great distinction. Nevertheless, on
more than one occasion the prince had his friends in Parliament
deny the marriage in order that his debts might be paid and new
allowances issued to him by the Treasury.

George certainly felt himself a husband. Like any other married
prince, he set himself to build a palace for his country home.
While in search of some suitable spot he chanced to visit the
"pretty fishing-village" of Brighton to see his uncle, the Duke of
Cumberland. Doubtless he found it an attractive place, yet this
may have been not so much because of its view of the sea as for
the reason that Mrs. Fitzherbert had previously lived there.

However, in 1784 the prince sent down his chief cook to make
arrangements for the next royal visit. The cook engaged a house on
the spot where the Pavilion now stands, and from that time
Brighton began to be an extremely fashionable place. The court
doctors, giving advice that was agreeable, recommended their royal
patient to take sea-bathing at Brighton. At once the place sprang
into popularity.

At first the gentry were crowded into lodging-houses and the
accommodations were primitive to a degree. But soon handsome
villas arose on every side; hotels appeared; places of amusement
were opened. The prince himself began to build a tasteless but
showy structure, partly Chinese and partly Indian in style, on the
fashionable promenade of the Steyne.

During his life with Mrs. Fitzherbert at Brighton the prince held
what was practically a court. Hundreds of the aristocracy came
down from London and made their temporary dwellings there; while
thousands who were by no means of the court made the place what is
now popularly called "London by the Sea." There were the Duc de
Chartres, of France; statesmen and rakes, like Fox, Sheridan, and
the Earl of Barrymore; a very beautiful woman, named Mrs. Couch, a
favorite singer at the opera, to whom the prince gave at one time
jewels worth ten thousand pounds; and a sister of the Earl of
Barrymore, who was as notorious as her brother. She often took the
president's chair at a club which George's friends had organized
and which she had christened the Hell Fire Club.

Such persons were not the only visitors at Brighton. Men of much
more serious demeanor came down to visit the prince and brought
with them quieter society. Nevertheless, for a considerable time
the place was most noted for its wild scenes of revelry, into
which George frequently entered, though his home life with Mrs.
Fitzherbert at the Pavilion was a decorous one.

No one felt any doubt as to the marriage of the two persons, who
seemed so much like a prince and a princess. Some of the people of
the place addressed Mrs. Fitzherbert as "Mrs. Prince." The old
king and his wife, however, much deplored their son's relation
with her. This was partly due to the fact that Mrs. Fitzherbert
was a Catholic and that she had received a number of French nuns
who had been driven out of France at the time of the Revolution.
But no less displeasure was caused by the prince's racing and
dicing, which swelled his debts to almost a million pounds, so
that Parliament and, indeed, the sober part of England were set
against him.

Of course, his marriage to Mrs. Fitzherbert had no legal status;
nor is there any reason for believing that she ever became a
mother. She had no children by her former two husbands, and Lord
Stourton testified positively that she never had either son or
daughter by Prince George. Nevertheless, more than one American
claimant has risen to advance some utterly visionary claim to the
English throne by reason of alleged descent from Prince George and
Mrs. Fitzherbert.

Neither William IV. nor Queen Victoria ever spent much time at
Brighton. In King William's case it was explained that the
dampness of the Pavilion did not suit him; and as to Queen
Victoria, it was said that she disliked the fact that buildings
had been erected so as to cut off the view of the sea. It is quite
likely, however, that the queen objected to the associations of
the place, and did not care to be reminded of the time when her
uncle had lived there so long in a morganatic state of marriage.

At length the time came when the king, Parliament, and the people
at large insisted that the Prince of Wales should make a legal
marriage, and a wife was selected for him in the person of
Caroline, daughter of the Duke of Brunswick. This marriage took
place exactly ten years after his wedding with the beautiful and
gentle-mannered Mrs. Fitzherbert. With the latter he had known
many days and hours of happiness. With Princess Caroline he had no
happiness at all.

Prince George met her at the pier to greet her. It is said that as
he took her hand he kissed her, and then, suddenly recoiling, he
whispered to one of his friends:

"For God's sake, George, give me a glass of brandy!"

Such an utterance was more brutal and barbaric than anything his
bride could have conceived of, though it is probable, fortunately,
that she did not understand him by reason of her ignorance of

We need not go through the unhappy story of this unsympathetic,
neglected, rebellious wife. Her life with the prince soon became
one of open warfare; but instead of leaving England she remained
to set the kingdom in an uproar. As soon as his father died and he
became king, George sued her for divorce. Half the people sided
with the queen, while the rest regarded her as a vulgar creature
who made love to her attendants and brought dishonor on the
English throne. It was a sorry, sordid contrast between the young
Prince George who had posed as a sort of cavalier and this now
furious gray old man wrangling with his furious German wife.

Well might he look back to the time when he met Perdita in the
moonlight on the Thames, or when he played the part of Florizel,
or, better still, when he enjoyed the sincere and disinterested
love of the gentle woman who was his wife in all but legal status.
Caroline of Brunswick was thrust away from the king's coronation.
She took a house within sight of Westminster Abbey, so that she
might make hag-like screeches to the mob and to the king as he
passed by. Presently, in August, 1821, only a month after the
coronation, she died, and her body was taken back to Brunswick for

George himself reigned for nine years longer. When he died in 1830
his executor was the Duke of Wellington. The duke, in examining
the late king's private papers, found that he had kept with the
greatest care every letter written to him by his morganatic wife.
During his last illness she had sent him an affectionate missive
which it is said George "read eagerly." Mrs. Fitzherbert wished
the duke to give up her letters; but he would do so only in return
for those which he had written to her.

It was finally decided that it would be best to burn both his and
hers. This work was carried out in Mrs. Fitzherbert's own house by
the lady, the duke, and the Earl of Albemarle.

Of George it may be said that he has left as memories behind him
only three things that will be remembered. The first is the
Pavilion at Brighton, with its absurdly oriental decorations, its
minarets and flimsy towers. The second is the buckle which he
invented and which Thackeray has immortalized with his biting
satire. The last is the story of his marriage to Maria
Fitzherbert, and of the influence exercised upon him by the
affection of a good woman.

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